klipspringers:

driver roll up the partition please

klipspringers:

driver roll up the partition please

(Source: awwww-cute, via heyfunniest)

baeddelbludd:

LIFE HACK: disguise your nervous breakdown as a series of jokes

(Source: autogynephile, via heyfunniest)

zohbugg:

tessellation29:

felixxmarie:

imnotflirtingbytheway:

right-on-my-bins:

machobears:

ennish:

deneuveing:

lyrafay:

ask-queen-mikasa:

homosexual-titan:

THIS VIDEO WAS SO SATISFYING

This gives me life

How music changed from 2000-2013. 

i feel so fucking old right now…

Anyone else notice how more songs were in a minor key at the beginning of the video?

More like the evolution of Beyonce lbr here

I love how the goat still makes an appearance

(via snakeybasher)

brianmichaelbendis:

Bill Sienkiewicz 1986: Elektra: Assassin #2

Sienkiewicz found working with Frank Miller to be a much more rewarding, collaborative experience than his previous engagements. He liked how Miller “wrote from his gut.”

In this interview, he likens working with Frank Miller to two jazz musicians riffing off one another:

It worked like this: I would get the script from Frank, read it, laugh out loud through the whole thing, and make notes. Unlike other writers, who give every nuance and shade of every element in every frame, Frank would give a panel description along the lines of:” Panel 6: Garrett’s reconstruction.” and off I would run. After I did my twisted take on it, Frank would occasionally rewrite to incorporate my slant on things, or he would get inspired to go in a different direction altogether. It was like jazz. Frank and I riffed off each other. For example, the character of Garrett in Elektra: Assassin was supposed to be killed at the end of the second issue. When Frank saw what I came up with, he decided Garrett was too good visually to die just yet. Thing is, Frank’s writing really inspired me to play and to take chances, so if he felt he got anything decent from me, it was as a result of getting gold from him. Frank’s keen on letting creative collaborations breathe. That’s part of his brilliance. I can’t say enough good things about the guy himself, and his work. He’s like a brother.

(Source: comicartistevolution, via dirtyriver)

trcunning:

earthdad:

ok but give me one good reason why you wouldn’t date Kermit the frog besides that he is a puppet and a frog

I can’t beat Miss Piggy in a fight. She’s very strong and knows karate.

(via marvelnowite)

skunkandburningtires:

Plot & Pics: Pixar’s Inside Out

"Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school."

That’s the “official” plot description via Pixar. To read what the comedic cast has to say about their characters, click here.

(via 2x04)

angrywhistler:

Yuriy Ibragimov

angrywhistler:

Yuriy Ibragimov

(Source: saatchionline.com)

gamoradorable:

"Perfect just the way I am. I hope so."
     ↳ Ms. Marvel #5

(via marvelouskamalakhan)

otomblr:

80s Canon ad by Katsuhiro Otomo

otomblr:

80s Canon ad by Katsuhiro Otomo

(Source: arrastao, via webhead21)